Showing posts with label Kylo Chua. Show all posts
Showing posts with label Kylo Chua. Show all posts

An evolving movement of abstract sculpture has hit the Philippines since 2007 and the population of its art followers in the community continues to grow. The country has always been known for its history of painters and sculptors that played a crucial role in the development of a society. Juan Luna for example, was a Filipino painter that aided in the struggle for independence along with Jose Rizal, the country's national hero.

Photography Copyright - (2008) The Artasia Gallery- retrieved at http://www.artasiaphilippines.com

Recently, the biggest art hub in the Philippines; the Artwalk at the SM Megamall (Mandaluyong City, Metro Manila) has been a prime hot-spot for local and international collectors to view and experience a taste of true Philippine and Asian art. Sculpture is a novelty that has emerged from the recent modernist trends that encircle the local art scene. Many of the emerging talent has been drawn from the new generations that have been exposed to the path left by the historical 13 moderns (referring to 13 artists that have paved the way for modernism after the period of realism brought about by the influence of Fernando Amorsolo).

Galleries like the Artasia Gallery, Gallery Nine and Gallery Anna situated at the Artwalk are currently exhibiting several of these artistic modernist sculptors that are also beginning to catch the attention of the international art community through their successive exhibitions in foreign cities. Even online galleries from the Philippines are starting to revolutionize the sculpture world on the internet. "Sculptor.Asia" by local young artist Kylo Chua has gotten the community to appreciate sculpture in a whole new light by using 360 degree viewing technology.

Website Snapshot of Sculptor.Asia - Copyright of Kylo Chua 2010

Many people gravitate towards art because it tells a story of how things came about. This is most definitely true for the newer generations of Filipinos that have started to come out of their imperialist shell, and begin to create an identity for a deeply creative nation rooted in the foundations of visual symbolism.

In Makati City, the M.West Rotary Club has been doing this annual project of hosting an art exhibition to help raise funds for different charities. Entitled the "Alay Sining" (Filipino), the exhibit brings together many of the country's nationally and internationally acclaimed artists. Pieces by Renowned sculptors Imao and Pilapil are among the works that belonged to the Alay Sining 4 exhibition that was held a few months ago at the Mandarin Oriental. Being the fourth exhibition in a row, art patrons and enthusiasts alike attended this ground-breaking event which featured sculpture as the main artistic media, as well as some pieces of art-based jewelry done by the sculptors. Life-size pieces were also on display. Mixed media pieces made creative use of bullets, copper wire, cast marble and bronze. Father and Son pairings Fred and William Baldemor and Seb and Kylo Chua were among the 20+ attending sculptors that were invited to the notable art endeavor. Other personalities included ceramic sculptor Maria Magdamit, who also took the time to create tiara-like sculptures for the jewelry part of the exhibition.


The one-day exhibit was curated in a way that allowed guests and patrons to move around with ease and view each of the artworks to their heart's content. The ground layout for the show was done in a circular spiral fashion that gave each artist a display table to showcase at least 3 of his fine sculptures. The life-size sculptures were placed in the middle of the showroom to add aesthetic ambiance to the entire exhibition. I hope that next year, Alay Sining will continue, as the Philippines is currently a great spot to find groundbreaking contemporary art and sculpture.


Ever since our artists set out to find a more versatile way of sculpting three dimensional works, cast sculpture has grown in popularity within our modern artist circles.
Sculptors like Jane and Ed Hamilton, Doug Roper, Mark Abilgaard, Kylo Chua and Allen Eckman have recently popularized the different material types involved with this modern sculpting technique. Pieces fully cast in bronze, marble, glass and even paper are now being exhibited all across Asia, America and Europe. With an increasing trend in material deviance and unique composition. We have yet to see the main art revolution of cast sculpture movements that is fast approaching our gallery doors.
Cast sculpture is a term that refers to creating a multi-dimensional piece using the manifestation made by an accurate moulding sequence. Modeling clay is the most popular designing device used with this media and is also the first step of the process. Some artists produce wireframes to hold the clay upwards so as to provide a solid framework for the total shape. They then contour the clay as if it were the final finished piece, smoothening and edging as much as the composition needs. When the clay is in its final form, they use a moulding agent such as plaster of paris to create two halves of the negative mould. Release wax is often used to make sure both halves can be pried apart eventually. The next step would be to create a liquid mixture of your material and pour it into the mould. The wait time usually consists of several hours and can even last to an overnight period. Once the cast material inside has fully dried, measures are taken (depending on the material) to carefully pry the new sculpture out of its mould-shell. The last step would be to clean up and/or paint the finished sculpture.
Cast works are usually seen everywhere, from fine jewelry to one-of-a-kind artpieces. You just have to understand the tedious process to be able to fully grasp the worth of a particular piece of beauty.